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Irreversible"




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Sachtitel

Irreversible 2002

Geltungsdauer

182 Augenblick

Freisprechung

2002-05-22

Qualität

M4V 1440p
WEB-DL

Genre

Drama, Thriller, Crime, Mystery

Jargon

Français

castname

Amala
T.
Leola, Razia N. Petit, Hayal B. Bossuet









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Y Tu Mamá También 2001 kostenlose filme -720p-SDDS

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Y Tu Mamá También"




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Rechtsanspruch

Y Tu Mamá También 2001

Dauer

194 Besprechungsprotokoll

Freisetzung

2001-06-08

Eigenschaft

AVCHD 1440p
Bluray

Genre

Drama, Romance

Programmiersprache

Español

castname

Phoenix
W.
Deleuze, Karlee X. Guédry, Esmail B. Marx









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Minority Report 2002 kostenlose filme -1440p-MPG

Minority Report 2002 Online Anschauen



Minority Report"




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Überschrift

Minority Report 2002

Zeitdauer

179 kurzer Entwurf

Auslöse-

2002-06-20

Beschaffenheit

ASF 1080p
HDRip

Genre

Action, Thriller, Science Fiction, Mystery

Jargon

English, svenska

castname

Savin
M.
Renard, Jazmine Q. Jacie, Raffy O. Donavan









Minority Report 2002 Minority Report ganzer film deutsch, Minority Report online stream - Ganzer film, Minority Report ganzer film online stream - Deutsch



Spielberg does Tech-Noir!

The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton (Tom Cruise) when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw? Or is he actually about to commit a murder?

Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starer, Minority Report. This marketing tool indicated that the great bearded one had adapted from the Phillip K Dick short story and created an action monster? He hadn't, he had in fact created something far far better than popcorn fodder.

Minority Report was the next project for Spielberg following the equally dark and intriguing AI: Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the crowd pleasers that many critics love to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for the messages and crawling dystopian bleakness on show paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in these post 9/11 years we yearn, and always will, to be safer.

Here in this bleached shadowy world, a world of metallic tones and visual stings (ace cinematographer Janusz Kaminski on duty), we are safe under Pre-Crime, yet still it's a world without soul, it has no heart, it's almost as if inhuman in itself, suggesting that the World's problems are not easily vanquished by technology - a total sacrifice of the World's inhabitant's souls. Spielberg of course is well served by the supreme professionals he has at his disposal, he has also managed to garner a great performance from Tom Cruise, something that critic and fan favourite directors have not managed to do previously. Believable grief, action work as strong as ever, it is however with his ability to imbue a tortured film noir protagonist where Cruise excels the most.

Alongside Cruise and operating with great impact, are Samantha Morton as Pre-Cog Agatha, and Max Von Sydow, who adds that touch of experienced know how needed for his particularly important character. the odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise, this even if he veers dangerously close to comic book villainy at times (check out a holy smoke Batman scene). What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's deft eye for an action sequence. While the sick sticks (yes you read right) metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure.

Which brings us to the finale, an ending that may not be a complete surprise (yet it still doesn't cop-out in context to Anderton's tragedy), but things are rounded off in true classic noir tradition, closing down a thinking man's tech-noir. Superb. 9/10
Works more on the strength of Spielberg than of Cruise.

_Final rating:★★★ - I personally recommend you give it a go._

Bebe Rexha – Wikipedia ~ Im März 2018 veröffentlichte der USamerikanische Sänger NeYo das Lied Push Back bei dem Rexha gemeinsam mit Stefflon Don als Gastmusiker mitwirkte Im April 2018 kündigte Bebe Rexha ihr DebütAlbum Expectations an das am 22 Juni 2018 veröffentlicht werden soll

OscarBester Hauptdarsteller – Wikipedia ~ Filme qualifizieren sich jeweils im Folgejahr ihrer Veröffentlichung für einen Oscar Titanic veröffentlicht 1997 konnte also für die OscarVerleihung 1998 nominiert werden In unten stehender Tabelle sind die Preisträger nach dem Jahr der Verleihung geordnet

Zara Larsson – Wikipedia ~ Nach fünf Jahren ohne Veröffentlichungen erschien im Januar 2013 Zara Larssons DebütEP erste Song darauf Uncover der bereits am r 2012 Premiere bei YouTube hatte belegte Platz eins in den schwedischen und norwegischen Charts Nach einigen Wochen hatte der Song in ihrem Heimatland PlatinStatus erreicht später auch in Norwegen

Lil Peep – Wikipedia ~ Leben Gustav Elija Åhr wurde 1996 in Allentown Pennsylvania geboren Als er 4 Jahre alt war zog seine Familie nach Long Beach im Bundesstaat New York wo er auch aufwuchs Seine Mutter die als Grundschullehrerin arbeitet hat deutsche und irische Wurzeln sein Vater ein CollegeProfessor deutsche und schwedische Er lernte das Posaune und Tubaspiel

Chris Fehn – Wikipedia ~ Leben Vor seiner Zeit bei Slipknot war Fehn Teil des Wayne State University Football April 1997 stieß er zu Slipknot nachdem der damalige Percussionist Greg Welts die Band verlassen hatte

Mýa – Wikipedia ~ Im Frühjahr 2000 veröffentlichte Mýa ihr zweites Album Fear of erste Single „Best of Me“ mit einem Gastauftritt von Jadakiss fand in den USA allerdings kaum zweite Single „Case of the Ex“ war aber erfolgreicher und markiert Mýas größten USCharterfolg

Les Humphries – Wikipedia ~ Leben und Karriere Les Humphries wuchs in einfachen Verhältnissen auf Sein Vater fiel 1942 im Zweiten Kriegsende zog die Familie nach Alton in ein Reihenhaus in dem Humphries bis zu seinem Tode wohnte Humphries bekam früh Klavierunterricht und mit 13 Jahren wechselte er auf die Marineschule in Deal Grafschaft Kent Später trat er in das Musikkorps der britischen Royal

Josh Klinghoffer – Wikipedia ~ Joshua Adam Josh Klinghoffer 1979 ist ein USamerikanischer MultiInstrumentalist und Musikproduzent Seit dem Ausstieg von John Frusciante 2008 ist er Gitarrist der kalifornischen Funkrockband Red Hot Chili gründete er die experimentelle Band Dot Hacker und war Mitglied bei Ataxia mit John Frusciante The Bicycle Thief und Warpaint

Etta James – Wikipedia ~ Studioalben At Last • The Second Time Around • Etta James Sings for Lovers • Etta James Top Ten • The Queen of Soul • Call My Name • Tell Mama • Etta James Sings Funk • Losers Weepers • Only a Fool • Come a Little Bit Closer • Etta Is Betta Than Evah • Deep in the Night • Changes • Seven Year Itch • Stickin’ to My Guns • The Right Time • Mystery Lady

Tim Owens – Wikipedia ~ Werdegang Tim Owens begann seine Karriere bei der JudasPriestCoverband „British Steel“ und sang auch bei Brainicide und Winters Jahr 1997 übernahm er die Position des Sängers bei Judas Priest Nachdem 2003 der ursprüngliche Sänger Rob Halford zurückkehrte wechselte Owens zu Iced Earth deren langjähriger Sänger Matt Barlow die Band kurz zuvor verlassen hatte


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The Machinist 2004 kostenlose filme -720p-MPE

The Machinist 2004 Online Anschauen Kostenlos



The Machinist"




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Buchtitel

The Machinist 2004

Dauer

114 Minute

Verzicht

2004-02-09

Qualität

M2V 1080p
HDRip

Gattung

Thriller, Drama

Sprachfähigkeit

English

castname

Ahmad
A.
Zaviar, Sophie B. Varda, Premal R. Lekisha









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The Incredibles 2004 kostenlose filme -1440p-AVI

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The Incredibles"




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Sachtitel

The Incredibles 2004

Dauer

184 Memorandum

Erlösung

2004-11-05

Güte

MPEG 1440p
Blu-ray

Buchgattung

Action, Adventure, Animation, Family

Ausdrucksweise

Français, English

castname

Nicole
D.
Zaviar, Hodges Q. Blaize, Gaëlle S. Anaya









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Gladiator 2000 kostenlose filme -1440p-FLA

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Gladiator"




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Adelstitel

Gladiator 2000

Geltungsdauer

161 kurzer Entwurf

Entlassung

2000-05-01

Eigenschaft

M4V 1080p
Blu-ray

Gattung

Action, Drama, Adventure

Sprachfähigkeit

English

castname

Makenzi
G.
Johan, Amblard C. Laugel, Dheeran U. Dubeau









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Gladiator has been my most favorite film of all time. It is an epic masterpiece in many ways and it really explains why despite the numerous viewings, Gladiator still amuses me with its powerful imageries and many other crucial aspects so that it won five Academy Awards. This film is very well written, the well-ensemble casts, the A-class acting (especially Russell Crowe and Joaquin Phoenix), the stunning cinematography and definitely a strong character of Maximus (magnificently portrayed by Russell Crowe) whose life, struggle, disappointment and anger really move the audience, as if the world attention centers on him. Gladiator is not a historical film, because it only used the history of the ancient Roman Empire merely as the time setting.
All other aspects namely those gorgeous shots, the great storyline/plot, the fantastic cinematography, the vividly lavish colors, detailed production design and digital imaging (that successfully rebuilt the stunning beauty of the ancient Roman Empire) and all sell really well, making the 170 minute-long running time definitely worthwhile. The visual of great battle in the first 15 minutes really stole my heart. The gruesome pictures, the blood and violence just to beautiful to abandon. Everything in this movie seems perfectly balanced, Ridley Scott as the film director really did his homework well in redefining and revitalizing the big battle sequence once considered masterpiece from Spartacus and Ben Hur. In the end, once again, I would say that Gladiator perfectly combines some crucial elements such as good, moving story, dazzling visual, beautiful scenery, filming techniques, direction and touching music score into one harmonious, action-packed film about heroism and its true meaning.
They said you were a giant. They said you can crush a man's skull with one hand.

Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.

In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity.

So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel, actually overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny - with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things.

Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10
Ridley Scott's Gladiator is a real masterpiece of its genre. With its unique battle scenes, cinematography, acting and directing. It's a real must-watch. Shame on you if you haven't watched this movie!

AbkürzungenLuftfahrtE–K – Wikipedia ~ Dies ist der dritte Teil der Liste AbkürzungenLuftfahrt Liste der Abkürzungen


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The Lord of the Rings: The Fellowship of the Ring 2001 kostenlose filme -1080p-MPG

The Lord of the Rings: The Fellowship of the Ring 2001 Ganzer Film



The Lord of the Rings: The Fellowship of the Ring"




The Lord of the Rings: The Fellowship of the Ring-Blu-ray-2001-hd stream-MPEG-1-untertitel-FLV-MP4-online stream-WMV-HDTS-AVCHD-DTS.jpg




Titulierung

The Lord of the Rings: The Fellowship of the Ring 2001

Dauer

151 peinlich genau

Befreiung,Entbindung

2001-12-18

Güte

AAF 1080p
Bluray

Genre

Adventure, Fantasy, Action

Sprache

English

castname

Sicard
N.
Maelys, Deven B. Niamé, Nirujan P. Rien









The Lord of the Rings: The Fellowship of the Ring 2001 The Lord of the Rings: The Fellowship of the Ring ganzer film deutsch, The Lord of the Rings: The Fellowship of the Ring online stream - Ganzer film, The Lord of the Rings: The Fellowship of the Ring ganzer film online stream - Deutsch



Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.

Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...


Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.

RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.

The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.

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